STORYBOARDS
The Pacific Theater
Written by: Shumina
Written by: Shumina
The film was a short film, roughly 20 minutes in length. It was silent, relying heavily on visuals to communicate words and emotions. Sound Effects and Music would be later added to enhance the ambiance of this tale. The director wanted a sense of actually following alongside the soldier, if not a first person view of the action.
Taking this description of what the end result would be, the storyboards had to reflect that sort of story telling. A decision to make each shot feel as though we are watching the action from an 8mm film camera. Each shot would have a POV quality to it.
There would not be any dialogue at all so the actor would be bringing a tremendous amount to the role. If he screamed, grunted, or made any sort of noise, that would be replaced with distorted sound effects or musical effects in post. This was a great challenging project to work on since visual communication without words was the essential part.
Below are 2 of 10 scenes presented.
Redesign of the 2016 Individual Family Plan (IPC) Default Marketplace Website
Purpose
To be used in conjunction with sales presentations to clients to show how the new rede-sign of our plan compare websites will improve engagement by Senior consumers with Medicare Carriers via the Internet. The scenario presented is based on much market-place research. The scenario presented in the following boards depict a common situa-tion found among many Seniors.
To be used in conjunction with sales presentations to clients to show how the new rede-sign of our plan compare websites will improve engagement by Senior consumers with Medicare Carriers via the Internet. The scenario presented is based on much market-place research. The scenario presented in the following boards depict a common situa-tion found among many Seniors.
Scenario Overview
Barry and Martha are retired and are shopping for Medicare coverage for the first time. They have been busy with so many life arrangements that they kept putting aside all shopping and enrolling in a Medicare plan until the last minute.
Barry and Martha are retired and are shopping for Medicare coverage for the first time. They have been busy with so many life arrangements that they kept putting aside all shopping and enrolling in a Medicare plan until the last minute.
After watching a TV commercial they are shocked to learn that they have a;;owed some-thing so important to them fall between the cracks. They realize they have less than 24 hours remaining before AEP closes. They fear enrolling via the phone would not give them adequate time nor allow for adequate decision making. Their only other choice is to use the INTERNET.
They are not so savvy with Internet nor technology for that matter. Only recently did they purchase a laptop and a smart phone, both of which they are still learning to use. More importantly, they are both apprehensive about giving out their personal information and especially their medical info for fear of identity theft.
With little time to spare to find a plan that will suit their needs and no choice but to over-come their fears of using technology - specifically the Internet - Barry and Martha make it in time and will they find what they are looking for?
“The Tempest” (2009)
Written by William Shakespeare
Adapted by Julie Taymor
Written by William Shakespeare
Adapted by Julie Taymor
VFX Studio producing the effects: Prologue
Storyboards for scenes involving the use of Visual Effects
• My role as one of several contracted Storyboard Artists at “Prologue” was to take the
Conceptual Designs for various effects and put them into context by storyboard the scenes for which the effects were designed.
• Reference photos, the script itself and scene / shot breakdowns were initially provided.
• While no restrictions on individual artistic (illustrative) style, camera angles and movements
or preference of filmmaking style were imposed, my choice was to emulate the shooting
style of Julie Taymor’s previous films - Frida and Titus were the most influential.
• My role as one of several contracted Storyboard Artists at “Prologue” was to take the
Conceptual Designs for various effects and put them into context by storyboard the scenes for which the effects were designed.
• Reference photos, the script itself and scene / shot breakdowns were initially provided.
• While no restrictions on individual artistic (illustrative) style, camera angles and movements
or preference of filmmaking style were imposed, my choice was to emulate the shooting
style of Julie Taymor’s previous films - Frida and Titus were the most influential.
